Trapeze – iron, rope, velvet / “Weltumsegler (circumnavigator)”, 2014, child’s bike, 70 x 100 x 50 cm / OSB plate, 250 x 200 cm / 2 iron train wheel stoppers, wood, curtaining, linseed oil / Ufficio Provinciale Metricou0022, found paper / “Feuille De Présence (Atelier)”, found paper / SARS-CoV-2u0022 (Eduard Bürgel), paper maché, plaster, Q-tips, gouache, 8 x 8 x 8 cm / “Psychosomatik”, framed document, 31 x 22.7 cm / “Ganz schön sicher (Quite Safe)”, Harro lightbox, 60 x 42 x 14 cm / Sterilium Virugard, boesner cotton gloves, metal base / “Screening Center“: white stage fabric, oil, school microscope Hertel u0026amp; Reuss Optik Kassel (Primus), blood from S. Bürgel, pigment, doctor’s chair, lamp, black light, blue silicone mask, pregnancy test, cutlery bucket, enamel bucket, leather rag, Karl Marx “Das Kapital”, 3rd volume (1894), 18th edition 1972 Dietz Verlag Berlin, linseed oil; “untitled”, plaster, pigment, canister with water and oil, wooden swivel stool, bust: 47 x 22 x 22 cm / “1970”, old black and white photo, 14.7 x 10 cm / “Riderless Horse”, aquatinta etching, 11 x 15 cm, Ed. 1/46 / music stand – wood, glass, metal / “Münchhausen”, laser print on paper, pencil, framing, dirt, 51 x 41/14 x 9 cm / Screen, Paganini Tessuti cotton Lampasso 432 Blue, blackboard paint, 300 x 300 cm / children’s desk with drawer and contents / „Er schlief sein Leben lang im Bett seiner Geburt (He slept all his life in the bed he was born)” 2014, ink on paper (double), 21 x 26 cm / iPad (child) with video / Karl Marx, “Das Kapital”, 1867, 1st volume, 18th edition, 1972 Dietz Verlag Berlin, linseed oil / Press release “Self-management at home. Checklist for planning, organizing, motivating, celebrating successes“ quoted from a Berlin secondary school in September / “Brigitte Mira”, heirloom, black and white photo, 9 x 9 cm / vacuum cleaner Siemens Superpolymatic VR 901 20 / rotted book / „Zelt (tent)“ (Eduard Bürgel), pencil, colored pencil, school mark, 29.7 x 21 cm / “Circuit Breaker” (Eduard Bürgel, Styrodur by J. Bürgel) / “N95 chinesisch” (Eduard Bürgel), plaster, gouache, 12 x 9 x 6 cm / rocking horse – real wood, leather, 95 x 130 x 39 cm / scissors clothes horse / “La Culla”, 2014, fineliner on paper (double), 21 x 26 cm / “Lagarrigue, Elie”, found paper (Villemur-sur-Tarn), pastel chalk, oil, gouache, 60 x 45 cm / hippocampus 120 x 60 cm / denim vest / “Paket”, styrofoam, paper, rope, various, 123 x 190 x 10 cm / “Che cosa sono le nuvole?”, unfired white clay, chalk, 8 x 35 x 9 cm / untitled, wire, plastic, metal, 150 x 22 x 21 cm / junior mattress – foam, gauze, cotton sheet, pigment / Camping TV Philips X09T741/19, “Kodak AG”, August 1966, Kodak photo, 9 x 9 cm / infusion stand, disposable mask black / “Grab Them by The Balls (GTBTB)”2, newspaper, paste, Reiss drawing rail (aluminum), hot glue, white clay, varnish, steel, trowel, 130 x 47 x 25 cm / „Historical mirror“, heirloom, linseed oil, 90 x 70 cm / armchair bed (artist studio) / “cloche”, brass, porcelain, wild silk, with: “Studio For Rent (Zahn 0)” June 2019, white clay, endodontic file R25 31 Flex / “Walking”, pastel chalk, linseed oil on carta parati, 58 x 43 cm / wedding lamp – marble / „Gar ned krank is a ned g’sund (not at all sick isn’t healthy either)“, styrofoam, wood, 162 x 19 x 13 cm / „80° C Backofen“, 2 FFP-2 masks KN95, packaging, framed, 37,5 x 34 cm